Actor Ranjeet says that Madhuri Dixit was terrified of shooting with him: he never touched her

The Ranjeet actor, who is popular for interpreting villain roles in films, recalled an incident that involved Madhuri Dixit. The two have worked together in many Hindi films, and the 83 -year -old woman talked about the moment she sobbed like a girl after filming a scene of sexual abuse in ‘Pratigya’.

Ranjeet was talking to the journalist Vickey Lalwani in his YouTube program when he mentioned that his negative image worried Dixit so much that he was terrified of filming the scene with him. The veteran actor shared that Madhuri Dixit had only a few films, and it was the first time they had to film together.

He said: “‘Pratigya’ was the name of the movie. Madhuri was new then. My image had been created as a ‘ruthless murderer, raw villain’. The girls and boys feared me. Madhuri had heard of me, and I was panic. We had a mulsion scene together. Veeru Devgn. About their situation in the set.

Ranjeet added that Dixit began to cry after finishing the scene because he had managed to film the scene of sexual abuse without even touching it. The actor said that the people on the set told him that he was not a bad person, and that he gave himself the same way after filming.

“I realized that I was crying. Then they comforted her, they said:” He was a good man. “Ultimately, she agreed to give the opportunity. Now, when we were giving the opportunity, she used to be very cooperative with my fellow artists. After the scene was cut, the people applauded. He was sobbing. The producer and others hurried to her and asked her” Are you okay? “She said: ‘I never realized anything.

The actor said he moved her on the truck by hand while filming the scene, and did not touch her once. The popular actor also revealed that Dixit herself opened about the incident later in a television program. “She said that I never touched her on a television program,” he concluded.

Ranjeet and Madhuri Dixit later worked on the films ‘Kishen Kanhaiya’ (1990) and ‘Koyla’ (1997).