A chilling but dark hilarious horror movie that covers the absurdity of its premise

History: The twin brothers Hal and Bill Shelburn run into a mysterious and mechanical monkey of dishes that are children, just to discover that every time he plays, someone dies. Terrified, they get rid of the toy, hoping to leave their horrors behind. But years later, as adults, Hal discovers that the sinister relic has resurfaced, bringing death in its path once again.

Review: Osgood Perkins adopts a unique approach to The monkeyMix of supernatural horror with an evil streak of dark comedy. While the premise, a toy monkey that triggers violent deaths, could be a pure nightmare fuel, Perkins leans in its absurdity, allowing moments of umbl mood in the midst of tension. The film is often delights with the ridiculousness of its concept, creating death scenes that are so exaggerated that they almost become funny. This act of tonal balance between horror and satire is one of the most intriguing elements of the film, although it may not land for all audiences.

Theo James offers a committed action as Hal and Bill, capturing his contrasting reactions to the trauma they suffered when they were children. His interpretation of Hal, the most straight of the two, plays well against the most tired and almost separated behavior of Bill, adding an additional layer to the comic nuances of the film. In a secondary role, Elijah Wood provides unconventional energy that further reinforces the funny sensitivities of the film, while Tatiana Maslany adds emotional weight to history. Colin O’Brien, like Hal’s son, Petey, serves as the innocent heart of the film, based on supernatural chaos on something real.

Visually, The monkey It is both a horror movie and a gloomy parody of the genre. Perkins and photography director Andrés Arochi create a mysterious but playful aesthetic exaggerated, using heavy shadows, surrealist framed and disturbingly bright moments to highlight the presence of the monkey. The sound design is particularly effective, with the dishes of the monkey becoming an almost comic phrase, a sinister sound signal that indicates the fatality in the most absurd circumstances. Perkins is aware of the inherent ridicule of its premise and relies on it, allowing the film to have fun with itself instead of taking everything too seriously.

However, the biggest commitment of the film, its tonal changes, is also its most divisive element. The transitions between horror, tragedy and black comedy are not always perfect, and some spectators may not be sure if they must be terrified or laugh. In addition, Perkins’s slow tales narration collides with the most playful moments of the film, resulting in rhythm problems that could prove the patience of some audiences. While the film offers many mysterious moments, its humor may not land for those who expect a more direct horror experience.